The Haunting of Bly Manor spooked a lot of Netflix users in its second week of release, moving to the top of Nielsen's streaming charts. The second season of the Haunting anthology racked up 1.82 billion minutes of viewing time in the week of Oct. 12. That's up by 54 percent from the 1.18 billion minutes Netflix users spent on the show in the show's opening weekend.

You might expect a list of Australian horror films to be teeming with the beasties people associate with the continent: poisonous snakes, deadly spiders, mammoth crocs. Yet while this collection of essential Aussie horror flicks does contain several of those Down Under biters – two crocodile movies, one shark movie, and one about a giant wild boar (didn’t see that coming, did ya?!) – it also features works that tap into something just as threatening: the vast land itself, fro

“The filmmakers that we chose for this season are filmmakers who've made movies we love and that's kind of where it started. It was really easy. I watch a lot of movies and when I saw 'A Dark Song', I just freaked out and knew we had to find a way to work with Liam. We had to find a way to support him. This was an opportunity to do that. Same when we saw 'Cargo', and both Ben and Yolanda's work was so wonderful. Trevor had just produced a film with Ciarán, while we were worki

The series has been on top of Netflix’s Top 10 list for a week straight now, and seems to show no signs of letting up any time soon as other comers like Emily in Paris and the final season of Schitt’s Creek can’t catch it.

Expect Mike Flanagan's "Hill House" anthology sequel to be one of Netflix's biggest television hits this Halloween season.

It's nearly time to begin a new ghost story, The Haunting Of Bly Manor, the next tale from the creators of The Haunting Of Hill House. The first teaser trailer for the new nine-episode season arc in Netflix's anthology series arrived Monday, delivering chilling footage and the long-sought premiere date, October 9.

Netflix’s The Haunting of Hill House was more than a series; it became an obsession. Viewers watched and rewatched the 2018 show to catch the hidden-in-plain-sight scares embedded in the background and decode the chronology-warped fate of the Crain family.

Doctor Sleep writer-director gives an update on his two new Netflix projects, The Haunting Of Bly Manor and Midnight Mass, and shines a light on indie horror with recommendations for what to watch while you're hunkering down at home."

“Goalpost is thrilled to be partnering with SBS on their first major period series they’ve commissioned. Series creator Peter Cox has vividly brought this world to life. His writing is exceptional. Along with my fellow producers Liam Heyen and Elisa Argenzio, I am also delighted that Peter will be joined on the writing team by Benjamin Law and Yolanda Ramke and the amazing directorial talents of Ana Kokkinos.”

"We were such big fans of the first season, which was so accomplished and had a cinematic feel to it, that to get the chance to join the team is just crazy,” Ramke tells IF. “We could not be more excited, taking our first TV directing job on a show of that kind of scale.”

The 2019 FCCA Award nominees were announced today, with Cargo landing nominations in three categories: Best Film, Best Actor (Martin Freeman) and Best Supporting Actress (Susie Porter).

The 2019 AFCA Film Award nominees were recently announced, with Cargo landing nominations in five categories: Best Film, Best Director (Yolanda Ramke & Ben Howling), Best Actor (Martin Freeman), Best Supporting Actress (Susie Porter) and Best Cinematographer (Geoffrey Simpson).

Longtime horror institution, Fangoria, today announced its nominees for the 2019 Chainsaw Awards. Cargo has walked away with two nominations: "Best First Feature" and "Best Supporting Actress" for newcomer Simone Landers' performance as Thoomi.

"A zombie movie with soul and pathos? Yes, it can be done. Martin Freeman headlines the first feature film from Yolanda Ramke and Ben Howling, stretching out their 2013 Tropfest-winning short of the same name. An infected protagonist (Freeman) wanders across outback Australia, with two days to find somebody to take care of his infant daughter before he turns into a flesh muncher. On a most basic level Cargo is about being a good parent, using an often under-contemplated genre

"If the zombie is the most political monster, then it’s ferocious in the Australian political context. Australia is overrun by undead creatures and the ugly side of the country is revealed. One hell of a portrait of the responsibilities of parenting, too."

"The best Australian film of the year to date, Cargo puts a particularly resonant local interpretation on the zombie apocalypse thriller, revealing an outback where a desperate father (Martin Freeman) tries to safeguard his baby daughter, while a young Indigenous girl (Simone Landers) looks for hope. The past and future of the land, both blood-stained, make for a genre film with powerful commentary."

Cargo has earned five nominations for the 2018 Australian Academy of Cinema and Television Arts (AACTA) awards, including "Best Film", "Best Adapted Screenplay", "Best Production Design", "Best Sound" and "Best Hair & Makeup".

"Aussie directing team Ben Howling and Yolanda Ramke stake out a patch of novelty by taking the question of survival out of the equation. Andy (a weatherbeaten Martin Freeman) has been infected by the flesh-necrotizing germ, he's got 48 hours to live, and he just wants to find somewhere safe to stash his infant daughter. The sadness running expectedly through the film hews closer to the elegiac than the miserable, a dutiful illustration of how precious life becomes the moment

"As a part of my ongoing series on Feminist Horror, I wanted to answer the question I get asked constantly around this time of year: 'What are some great horror films made by women I should be watching?' So... here are 100+ features and shorts you can check out before Halloween - happy haunting, ghouls!"

Steven McGregor and David Tranter’s Sweet Country was named best feature film original screenplay while Yolanda Ramke’s Cargo was deemed best feature film adaptation at the Australian Writers’ Guild’s annual AWGIE Awards on Thursday night.